Excerpt From Jim Jones' Complex Interview

Meanwhile, your relationship with Cam’ron is at a standstill. It seems like that souring has had the most effect on you.
It’s definitely hard, because that’s my nigga, that’s my brother. We rolled together for a very long time, and there are things I remember we said that we would never do. And now that we’ve got so much success, we’re doing all the things we watched people do and said that wouldn’t be us. It’s the ego; it has to be. This is a question I’ve asked myself over and over again. That’s the only way I see it.
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Amongst everything else, there was a couple things said on my part, but I can do that if I want to. Above all, I kept it fair; I could really expose shit, but that’s not what I’m here for. Once your ego becomes bigger than money, you can’t get anywhere. It’s a sad thing—we’ve built so much. Everywhere around the world, people know the Diplomats as a strong entity. And it’s at a halt due to the fact we’ve been going back and forth through this minute bullshit.
In the documentary, there’s mention that Jay-Z stole the beat for “Izzo (H.O.V.A.)” from you and Cam, that Kanye agreed to give the beat to you guys. What’s the story behind that?
Kanye came to our studio session at Sony, and he was playing some beats back when we were all signed to Rocafella. Cam was about to come out with Come Home With Me, so we told Kanye we wanted to buy the song “H to the Izzo.” It was an understanding we had between us and Kanye because we were all under the same label. So then, I’ll never forget it, we’re at Cam’s house and this hip-hop award show comes on [BET Awards, 2001], and Cam and I are watching it on his couch, and we’re like, “Next year we’re gonna be up there.” So they announce that Jay-Z is about to perform his new single off The Blueprint, and the dude comes out with the “H to the Izzo” beat. Cam and I look at each other like, Oh, we’re going to kill Kanye. Oh my God, when we catch this nigga,we’re going to do something terrible to him. And that’s how Cam ended up getting the “Down and Out” beat. Kanye gave it to him free of charge as payback.
You’ve said that there’s no more Rocafella, but Kanye has had great success, and he still claims the Roc.
I don’t know if he’s actually with Jay-Z from the looks of things. From what I’ve been seeing from since we were signed until now, I think Kanye actually hates Jay-Z. [Dame Dash interrupts:] No, he actually does. He hated Jay-Z ever since he wouldn’t give him a fucking Rocawear chain in Chicago! I’m telling you.
Jim, do you have any theories?
Jay-Z never sells as much as Kanye. Jay-Z wishes he could sell as many records as Kanye. So he’s only beating him with terrible swag. Like over there, their swag is terrible. They having a terrible swag contest. It’s really bad over there.
You warned Kanye to keep your name out of his mouth after he said some things about you and Juelz closing Summer Jam. Would you ever fully go at him?
Kanye?! I like making jokes about him, but Kanye is somebody you can just punch his chest old-school style, cave his chest in and shit like that. Like don’t ever, ever, ever talk about me again in your life! It’s just a joke to me. I’m just having fun. I heard him ranting and raving about my name and shit. How would I look having an issue with Kanye? I’d love to work with him. I need a beat from him. I think that’s why I’m most mad. Matter fact, I’ma fuck you up if you don’t give me a beat! [Laughs.]
To read the rest you have to pick up this month issue of Complex.